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French orthography encompasses the spelling and punctuation of the French language.It is based on a combination of phonemic and historical principles. The spelling of words is largely based on the pronunciation of Old French c. 1100 –1200 AD, and has stayed more or less the same since then, despite enormous changes to the pronunciation of the language in the intervening years.
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How to make vol-au-vents. A vol-au-vent is typically made by cutting two circles in rolled out puff pastry, cutting a hole in one of them, then stacking the ring-shaped piece on top of the disc-shaped piece. [2] The pastry is cooked, then filled with any of a variety of savory or sweet fillings.
The charts below show the way in which the International Phonetic Alphabet (IPA) represents French language pronunciations in Wikipedia articles. For a guide to adding IPA characters to Wikipedia articles, see Template:IPA and Wikipedia:Manual of Style/Pronunciation § Entering IPA characters.
Guillemet is a diminutive of the French name Guillaume, apparently after the French printer and punchcutter Guillaume Le Bé (1525–1598), [5] though he did not invent the symbols: they first appear in a 1527 book printed by Josse Bade. [6]
This sentence is a bit different; however, a comma is necessary as well. Using commas to offset certain adverbs is optional, including then, so, yet, instead, and too (meaning also). So, that's it for this rule. or; So that's it for this rule. A comma would be appropriate in this sentence, too. or; A comma would be appropriate in this sentence too.
(An alternative explanation, however, is that bus routes in Montreal are called "lines" and so la 10 is short for la ligne 10, not l'autobus 10 since it is the route that is being referred to, not an individual bus.) There are many grammatical differences in informal speech.
Sylvius used the circumflex to indicate so-called "false diphthongs".Early modern French as spoken in Sylvius' time had coalesced all its true diphthongs into phonetic monophthongs; that is, a pure vowel sound, one whose articulation at both beginning and end is relatively fixed, and which does not glide up or down towards a new position of articulation.