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Master Jesus is the theosophical concept of Jesus in Theosophy and the Ascended Master Teachings. Portrait of Jesus, by the Theosopher and painter Hermann Schmiechen (1910) Position in the Hierarchy of Masters of the Ancient Wisdom
In 1888, he joined the Theosophical Society. [42] His paintings began to obtain a mystical and symbolist character. It may be related with such his works as Dweller on the Threshold, [43] The Birth of the Planet, and Lead Kindly Light. [40] [44] Machell's Theosophical art had its "triumph" in The Path (1895). [45] He described this painting as ...
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
Then, fulfilling the request of Helena Blavatsky, he began to paint portraits of the Theosophical mahatmas. The portrait of the mahatma Koot Hoomi she assessed as "excellent" and immediately asked Schmiechen to begin working on a portrait of the mahatma Morya. It took him about three weeks, [note 2] to complete these paintings. [10] [11] [note ...
The latest image is a stark contrast to how He is portrayed in paintings and pictures who appears leaner with long flowy hair. Earlier this year a picture re-emerged that showed what Jesus might ...
Rembrandt et la figure du Christ/Rembrandt and the face of Jesus, Musée du Louvre, Paris, 21 April 2011 – 18 July 2011, Philadelphia Museum of Art, Philadelphia, 3 August 2011 – 30 October 2011, Detroit Institute of Arts, Detroit, 20 November 2011 – 12 February 2012, ISBN 978-88-89854-71-6, cat.no. 35.
This category is for specific works that include depictions of Jesus in the visual arts. For articles covering ways of depicting scenes or types of depictions of Jesus in general, see the sub-category Category:Iconography of Jesus. For images of Jesus as an infant with his mother, see Category:Madonna and Child in art.
The face that Neave constructed suggested that Jesus would have had a broad face and large nose, and differed significantly from the traditional depictions of Jesus in renaissance art. [82] Additional information about Jesus' skin color and hair was provided by Mark Goodacre , a New Testament scholar and professor at Duke University.