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"I Am a Child of God" is a hymn of the Church of Jesus Christ of Latter-day Saints (LDS Church) for all the members, but more often sung by children. The lyrics were written in 1957 by Naomi W. Randall and set to music by Mildred Tanner Pettit. The song has been translated into over 90 languages.
They have been making music together since the mid-1970s. They were married in 1976 and named the album they released that year "More Than Friends". In 1979, the duo created a cartoon character for children by the name of Psalty the Singing Songbook. Psalty was introduced in the "Kids Praise" Series, which was produced by Maranatha!
"Holy God, We Praise Thy Name" Traditional Church Music 1950 with St. Patrick's Cathedral Boys Choir featuring Organ played by Charles Marie Courboin [29] "(There's No Place Like) Home for the Holidays" Robert Allen: Al Stillman: 1954 [172] with Mitchell Ayres Orchestra & Ray Charles Singers [172] 1959 [81] "Honey, Honey (Bless Your Heart ...
He was the oldest of six children in a musical family. [2] His mother Luretia immersed her children in music by taking them to church and encouraging their singing on Sundays. While in his teens, Johnson was tapped to join Rev. C. W. Jackson's group, the 'Five Ways of Joy Gospel Singers'.
Jesus teaching the children, outside Saint John the Baptist Catholic Church, Draper, Utah. A Christian child's prayer is Christian prayer recited primarily by children that is typically short, rhyming, or has a memorable tune. It is usually said before bedtime, to give thanks for a meal, or as a nursery rhyme.
"Matthew, Mark, Luke and John", also known as the "Black Paternoster", is an English children's bedtime prayer and nursery rhyme. It has a Roud Folk Song Index number of 1704. It may have origins in ancient Babylonian prayers and was being used in a Christian version in late Medieval Germany.
Doris Mae Akers (May 21, 1923 – July 26, 1995) [1] was an American gospel music composer, arranger and singer who is considered to be "one of the most underrated gospel composers of the 20th century [who] wrote more than 500 songs". [2]
The song is an expression of pain and despair as the singer compares their hopelessness to that of a child who has been torn from its parents. Under one interpretation, the repetition of the word "sometimes" offers a measure of hope, as it suggests that at least "sometimes" the singer does not feel like a motherless child. [4]
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