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By the year 1900, the Stradella bass system had principally reached its current construction with 120 buttons over six rows. However, while that setup worked well for major and minor music accompanied by many chords, the performer would only have access to about a major seventh of bass notes while playing, or two octaves with a timely shift of registers.
Sheet music for the song "Oregon, My Oregon" Sheet music can be used as a record of, a guide to, or a means to perform, a song or piece of music. Sheet music enables instrumental performers who are able to read music notation (a pianist, orchestral instrument players, a jazz band, etc.) or singers to perform a song or piece. Music students use ...
Jazz bass is the use of the double bass or electric bass guitar to improvise accompaniment ("comping") basslines and solos in a jazz or jazz fusion style. Players began using the double bass in jazz in the 1890s to supply the low-pitched walking basslines that outlined the chord progressions of the songs .
This is an A–Z list of jazz tunes, which includes jazz standards, pop standards, and film song classics which have been sung or performed in jazz on numerous occasions and are considered part of the jazz repertoire. For a chronological list of jazz standards with author details, see the lists in the box on the right.
Nathan Harrell East (born December 8, 1955) is an American jazz, R&B, and rock bass guitarist and vocalist. With more than 2,000 recordings, East is one of the most recorded bass players in the history of music. [1] [2] East holds a Bachelor of Arts degree in music from the University of California, San Diego (1978).
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
For example, the bass player will play eight bass notes per bar rather than the typical "four beats in a bar" approach used in walking basslines. This makes the song feel twice as fast, even though the chords take the same length if time to play. A song that takes 60 seconds to play in regular feel still takes 60 seconds in double-time feel.
Williams published the sheet music in 1923, and the same year Bessie Smith recorded the first hit version. [57] The song is often played as a ballad, although the sheet music indicates "medium bounce tempo". [107] Williams himself recorded the song in 1928 with his Blue Five. [57] Jo Stafford and Nat King Cole sang it in the 1945 film That's ...
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