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A sleeve tattoo or tattoo sleeve is a large tattoo or collection of smaller tattoos that covers most or all of a person's arm. There is a difference between an arm covered in tattoos and a sleeve tattoo: a sleeve tattoo has a unified theme, whereas an arm covered in tattoos may have many tattoos of different styles that does not have an overall ...
Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.
The Yoruba tribal marks are scarifications which are specific identification and beautification marks designed on the face or body of the Yoruba people. The tribal marks are part of the Yoruba culture and are usually inscribed on the body by burning or cutting of the skin during childhood. [ 1 ]
Peʻa, Samoan male tattoo. The Peʻa is the popular name of the traditional male tatau of Samoa, also known as the malofie. [1] It is a common mistake for people to refer to the pe'a as sogaimiti, because sogaimiti refers to the man with the pe'a and not the pe'a itself.
Tattoos are known as batok (or batuk) or patik among the Visayan people; batik, buri, or tatak among the Tagalog people; buri among the Pangasinan, Kapampangan, and Bicolano people; batek, butak, or burik among the Ilocano people; batek, batok, batak, fatek, whatok (also spelled fatok), or buri among the various Cordilleran peoples; [2] [3] [11] and pangotoeb (also spelled pa-ngo-túb ...
Men could also receive tattoos but these were often much less extensive than the tattoos a woman would receive. Facial tattoos are individually referred to as tunniit (ᑐᓃᑦ), and would mark an individual's transition to womanhood. The individual tattoos bear unique meaning to Inuit women, with
Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
For the Bamar, tattooing of the waist, done with black pigment, was done before or soon after temporary ordination into monkhood, a major rite of passage for men. [3] Other parts of the body were tattooed with red pigments. [3] Among the Shan, blue or red pigments were especially popular, as were charms and cabalistic figures similar to yantra ...
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