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Mari Blanchard (born Mary E. Blanchard, April 13, 1923 – May 10, 1970) was an American film and television actress, known foremost for her roles as a B movie femme fatale in American productions of the 1950s and early 1960s.
Produced and distributed by American International Pictures (AIP), Coffy was the third Jack Hill film to star Grier, after The Big Doll House and The Big Bird Cage. Grier would go on to boost her career as the leading "femme fatale" of blaxploitation for the rest of the 1970s. [9] [10]
The staff at Variety magazine gave the film a positive review, writing, "A closeup on prison life and prison methods, Brute Force is a showmanly mixture of gangster melodramatics, sociological exposition, and sex...The s.a. elements are plausible and realistic, well within the bounds, but always pointing up the femme fatale.
The Last Seduction has gained a cult following over time, and its main character, Bridget Gregory, has been recognized as one of the most iconic femme fatales. [6] [7] [8] In 2019, the British Film Institute included the movie, along with Gone Girl and Death Becomes Her, in a program dedicated to exploring "wickedly compelling female characters ...
Hayworth is widely known for her performance in the 1946 film noir Gilda, opposite Glenn Ford, in which she played the femme fatale in her first major dramatic role. She is also known for her performances in Only Angels Have Wings (1939), The Strawberry Blonde (1941), Blood and Sand (1941), The Lady from Shanghai (1947), Pal Joey (1957), and ...
Femme Fatale is a 2002 erotic thriller film [2] [3] written and directed by Brian De Palma. The film stars Antonio Banderas and Rebecca Romijn-Stamos. It was screened out of competition at the 2002 Cannes Film Festival. [4] Upon its release, Femme Fatale received mixed reviews from film critics and became a box office flop.
“The Book of Clarence,” a Columbia Pictures/Legendary Entertainment release that hits theaters Jan. 12, is rated PG-13 for “strong violence, drug use, strong language, some suggestive ...
The producers were keen to pay tribute to their literary source, having a real actor read the full poem to the audience before each initial showing, and presenting passages of the poem throughout the film in intertitles. Bara's official credit is even "The Vampire", and for this reason the film is sometimes cited as the first "vampire" movie. [7]
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