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A mansard roof on the Château de Dampierre, by Jules Hardouin-Mansart, great-nephew of François Mansart. A mansard or mansard roof (also called French roof or curb roof) is a multi-sided gambrel-style hip roof characterised by two slopes on each of its sides, with the lower slope at a steeper angle than the upper, and often punctured by dormer windows.
Gambrel roof A cross-sectional diagram of a mansard roof, which is a hipped gambrel roof A gambrel or gambrel roof is a usually symmetrical two-sided roof with two slopes on each side. The upper slope is positioned at a shallow angle, while the lower slope is steep.
In Canada, because of French influence in Quebec and Montreal, the mansard roof was more commonly seen in the 18th century and used as a design feature and never entirely fell out of favor. [7] The earliest Second Empire style private residence in English Canada that was built with a mansard roof was for the commercial druggist and land ...
As the Second Empire style evolved from its 17th-century Renaissance foundations, it acquired a mix of earlier European styles, most notably the Baroque, often combined with mansard roofs and/or low, square-based domes. [7] The style quickly spread and evolved as Baroque Revival architecture throughout Europe and across the Atlantic. Its ...
But the most striking feature borrowed from this period is the steep, boxy mansard roof. You can recognize a mansard roof by its trapezoid shape. Unlike a triangular gable, a mansard roof is almost vertical until the very top, when it abruptly flattens. This singular roofline creates a sense of majesty, and also allows more usable living space ...
A traditional French feature was the high sloping mansard roof and the complex roofline. Like the Villa Medici in Rome, the palace was surrounded by a large garden and fountains. The interior design was also innovative; the pavilions around the main block contained the apartments, allowing a greater flexibility and functionality of the interior ...
Following allegations of profligacy in the management of the project's costs, he was replaced with a more tractable architect, who largely followed Mansart's design. In the 1650s, Mansart was targeted by political enemies of the prime minister Cardinal Mazarin, for whom Mansart frequently worked. In 1651, they published "La Mansarade", a ...
Neo-Mansard, Faux Mansard, False Mansard, Fake Mansard: Common in the 1960s and 70s in the U.S., these roofs often lack the double slope of the Mansard roof and are often steeply sloped walls with a flat roof. Unlike the Second Empire, where upper story windows were contained within dormers, Neo-Mansard roofs have window openings cut through ...