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The German-speaking actors were contacted through DEFA, while the scenes involving Richard Sorge were shot in Vietnam with the assistance of the Fafim studio. [4] Marshal Sergei Rudenko served as the chief military consultant of the movie; the battle scenes involved troops from the Red Army as extras. The filming of the open-door battle scenes ...
The Battle of Moscow was a military campaign that consisted of two periods of strategically significant fighting on a 600 km (370 mi) sector of the Eastern Front during World War II, between October 1941 and January 1942.
Moscow Strikes Back (Russian: Разгром немецких войск под Москвой, Razgrom Nemetskikh Voysk Pod Moskvoy, "Rout of the German troops near Moscow") is a Soviet war documentary about the Battle of Moscow made during the battle in October 1941 – January 1942, directed by Ilya Kopalin and Leonid Varlamov .
USSR, late November 1941. Based on the account by reporter Vasiliy Koroteev that appeared in the Red Army's newspaper, Krasnaya Zvezda, shortly after the Battle of Moscow, this is the story of Panifilov's Twenty-Eight, a group of twenty-eight soldiers of the Red Army's 316th Rifle Division, under the command of General Ivan Panfilov, that stopped the advance on Moscow of a column of fifty-four ...
The film or miniseries must be concerned with World War II (or the War of Ethiopia and the Sino-Japanese War) and include events which feature as a part of the war effort. For short films, see the List of World War II short films. For documentaries, see the List of World War II documentary films and the List of Allied propaganda films of World ...
The film or miniseries must be concerned with World War II (or the Sino-Japanese War) and include events that feature as a part of the war effort. For short films, see the List of World War II short films. For documentaries, see the List of World War II documentary films and the List of Allied propaganda films of World War II.
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In 1941, as German forces approach Moscow at the start of the Great Patriotic War, two young student cameramen, Lev Alperin and Ivan Maisky, choose not to evacuate and instead seek permission to film on the front lines. Both compete for the title of the best cameraman and for the affections of Yuna, a student from the acting department.