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The overall mood in these paintings is one of intimacy. The second subject, more stately in manner, was a landscape with a grouping of tall pine trees, often backlit with the glow of a setting sun. He developed this second subject into some of his largest works, and was so successful with them he became known as "the pine tree painter".
grattage. Grattage (literally "scratching", "scraping") is a technique in surrealist painting which consists of "scratching" fresh paint with a sharp blade. [1] [2]In this technique, one typically attempts to scratch and remove the chromatic pigment spread on a prepared support (the canvas or other material) [3] in order to move the surface and make it dynamic. [4]
The work is a development of suibokuga (水墨画, ink-wash paintings) made with Chinese ink (墨, sumi), using dark and light shades on a silk or paper medium.It combines naturalistic Chinese ideas of ink painting by Muqi Fachang (Chinese: 牧溪法常; pinyin: Mu-ch'i Fa-ch'ang) with themes from the Japanese yamato-e (大和絵) landscape tradition, influenced by the "splashed ink" (溌墨 ...
Action painting, sometimes called gestural abstraction, is a style of painting in which paint is spontaneously dribbled, splashed or smeared onto the canvas, rather than being carefully applied. [68] The resulting work often emphasizes the physical act of painting itself as an essential aspect of the finished work or concern of its artist.
Acrylic paint is a fast-drying paint made of pigment suspended in acrylic polymer emulsion and plasticizers, silicone oils, defoamers, stabilizers, or metal soaps. [1] Most acrylic paints are water-based, but become water-resistant when dry.
The West Wind is a 1917 painting by Canadian artist Tom Thomson. An iconic image, the pine tree at its centre has been described as growing "in the national ethos as our one and only tree in a country of trees". [1] It was painted in the last year of Thomson's life and was one of his final works on canvas.
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Hasegawa Tōhaku (長谷川 等伯, 1539 – March 19, 1610) was a Japanese painter and founder of the Hasegawa school. [2]He is considered one of the great painters of the Azuchi–Momoyama period (1573-1603), and he is best known for his byōbu folding screens, such as Pine Trees and Pine Tree and Flowering Plants (both registered National Treasures), or the paintings in walls and sliding ...