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angst / ˈ-æ ŋ k s t / rhymes with manxed [5] and wangst, self-indulgent self-pity (a portmanteau of wank and angst); phalanxed is not a perfect rhyme because the stress is on the wrong syllable. The alternative American pronunciation / ˈ ɑː ŋ k s t / has no rhymes. [6] angsty / ˈ-æ ŋ k s t i / rhymes with planxty, an Irish or Welsh ...
A quintain or pentastich is any poetic form containing five lines. Examples include the tanka, the cinquain, the quintilla, Shakespeare's Sonnet 99, and the limerick.
Although the word for a single poetic line is verse, that term now tends to be used to signify poetic form more generally. [1] A line break is the termination of the line of a poem and the beginning of a new line. The process of arranging words using lines and line breaks is known as lineation, and is one of the defining features of poetry. [2]
NASPA Word List (NWL, formerly Official Tournament and Club Word List, referred to as OTCWL, OWL, TWL) is the official word authority for tournament Scrabble in the USA and Canada under the aegis of NASPA Games. [1] It is based on the Official Scrabble Players Dictionary (OSPD) with modifications to make it more suitable for tournament play.
The longest word whose letters are in alphabetical order is the eight-letter Aegilops, a grass genus. However, this is arguably a proper noun. There are several six-letter English words with their letters in alphabetical order, including abhors, almost, begins, biopsy, chimps and chintz. [32]
A masculine ending and feminine ending or weak ending are terms used in prosody, the study of verse form. In general, "masculine ending" refers to a line ending in a stressed syllable; "feminine ending" is its opposite, describing a line ending in a stressless syllable. The terms originate from a grammatical pattern of the French language.
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In Classical Chinese, a word and a character were almost the same thing, so that word dividers would have been superfluous. Although Modern Mandarin has numerous polysyllabic words, and each syllable is written with a distinct character, the conceptual link between character and word or at least morpheme remains strong, and no need is felt for ...