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Mucha and other Art Nouveau illustrators often collaborated with jewelers, Eugène Grasset, best known for his theatrical posters and magazine illustrations, made designs for objects ranging from combs to belt buckles created by Paris jewelers. René Lalique, best known for glass art, was also a major figure in Paris Art Nouveau jewelry design ...
Floral diagram of Anagallis arvensis. [1]: 307 The dot represents the main axis, green structure below is the subtending bract. Calyx (green arcs) consists of five free sepals; corolla (red arcs) consists of five fused petals. Antepetalous stamens are joined to petals by hairy filaments.
"frame dwelling with side hall plan and rear wing. Building has Greek Revival-style detailing including corner pilasters with capitals; molded wood cornice returns and raking cornice; eared window surrounds; a trabeated entrance frontispiece with pilasters and corresponding entablature; and, on the south elevation, a hipped-roof porch with ...
Cropping is the removal of unwanted outer areas from a photographic or illustrated image. The process usually consists of the removal of some of the peripheral areas of an image to remove extraneous visual data from the picture, improve its framing, change the aspect ratio, or accentuate or isolate the subject matter from its background.
The design of the house and interior is a blend of the 'Style Moderne', the Russian term for Art Nouveau, and elements of the symbolist movement of the end of the 19th century. The asymmetric forms of the roof contrast with the curving forms of the mosaic frescoes, the portals, the frames of the windows, and the balustrades of cast iron.
1790 home is a frame, log, and brick structure built in three stages. In addition to the residence, there is a meathouse of log with an attached springhouse. There is a small log house probably used for storage with sandstone chips used between the logs. There is also an early corncrib made of frame and logs. 54: Polychrome Historic District
The stained glass windows are set in a geometric pattern, each one having a diagonal stripe suggesting heraldric origin, with a floral design in yellow or pink at the top. [1] A door in the southeast corner leads into the Sunday school wing. It features a two-story atrium, with the upper level accessible from stairs at a dais on the south end.
The lintel above the ground floor window on the same bay is carved with a frieze of stylised flower motifs separated by a zigzag line, and the window below contains stone frames with double ogee curves along the top edges. [16] Above the south-east entrance porch is the Holdsworth family crest carved in stone: a lion rampant, holding an opened ...