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The painting by Raphael (top) shows Jesus in the boat and depicts the first miracle, while the painting by Duccio (bottom) shows Jesus on the shore and depicts the second miracle. The miraculous catch of fish , or more traditionally the miraculous draught of fish(es) , is either of two events commonly (but not universally) [ 1 ] considered to ...
The painting depicts the moment when the resurrected but incognito Jesus reveals himself to two of his disciples (presumed to be Luke and Cleopas) in the town of Emmaus, only to soon vanish from their sight (Gospel of Luke 24: 30–31). Cleopas wears the scallop shell of a pilgrim. The other apostle wears torn clothes.
Luke 24:28–29 states that Jesus stayed and had supper with the two disciples after the encounter on the road: As they approached the village to which they were going, Jesus acted as if he were going farther. But they urged him strongly, "Stay with us, for it is nearly evening; the day is almost over." So he went in to stay with them.
The painting shows a young, beardless Christ, leading the two much older-looking brothers. The more prominent of the brothers, presumably Simon, is holding a fish in his right hand. The edge of the canvas is rather damaged, but the central panel is in good condition.
The painting, in vertical format, shows a close-up view of Christ's disciples struggling frantically against the heavy storm to regain control of their fishing boat. A huge wave beats the bow and rips the sail. One of the disciples is seen vomiting over the side. Another one, looking directly at the viewer, is a self-portrait of the artist.
The last episode, far less commonly shown, is the Farewell Discourse, the farewell of Jesus to his disciples. By this point Judas Iscariot is no longer present, having left the supper; it is mostly found in Italian trecento painting. The depictions here are generally melancholy, as Jesus prepares his disciples for his departure. [1]
Christ at the Sea of Galilee is an oil painting by Jacopo Tintoretto, from the 1570s. The painting depicts Jesus Christ raises a hand toward the apostles, who appear in a boat amid hostile waves at sea. It is an example of mannerism, [1] a European art style that exaggerates proportion and favors compositional tension. This can be seen in the ...
[2] A week later, Jesus appeared and told Thomas to touch him and stop doubting. Then Jesus said, "Because you have seen me, you have believed; blessed are those who have not seen and yet have believed." [3] The painting shows in a demonstrative gesture how the doubting apostle puts his finger into Christ's side wound, the latter guiding his hand.
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