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Other sixteenth-century composers whose instrumental music can be played well on recorder consorts include: Anthony Holborne (c. 1545 – 1602) Tielman Susato (c. 1510 – c. 1570) Other notable composers of the Renaissance whose music may be played on the recorder include: Guillaume Dufay (1397 – 1474) Johannes Ockeghem (1410/1425 – 1497)
Enjoy the Recorder, written by Bonsor, is used to teach the recorder in schools. His arrangements for recorders include Percy Grainger's Mock Morris (1985), Cats by Andrew Lloyd Webber, and Strauss's Emperor Waltz (1985). Bonsor was a musical director for the Society of Recorder Players from 1967. [2] [4]
On Christmas Day, 1932 the British Broadcasting Corporation first used a steel tape recorder for their broadcasts. The device used was a Marconi-Stille recorder, [13] a huge and dangerous machine which used steel tape that had sharp edges. The tape was 0.1 inches (2.5 mm) wide and 0.003 inches (0.076 mm) thick running at 5 feet per second (1.5 ...
Vocal music of the classical tradition has included a variety of ornaments known as trills since the time of Giulio Caccini. In the preface to his Le nuove musiche , he describes both the "shake" (what is commonly known today as the trill) and the "trill" (now often called a Baroque or Monteverdi trill).
When a song is first sung by a shape note group, they normally sing the syllables (reading them from the shapes) to solidify their command over the notes. Next, they sing the same notes to the words of the music. The syllables and notes of a shape note system are relative rather than absolute; they depend on the key of the piece.
Recorder Garklein recorder: C 6: Sopranino recorder: C 5 /F 5: Soprano recorder: C 5, formerly G 4: B ♭ Soprano recorder B ♭ 4: Alto recorder F 4: Voice flute: D 4, formerly A 3: Tenor recorder: C 4, formerly G 3: Basset recorder F 3: Bass recorder: C 3: When notated in treble clef Great bass recorder: F 2: Contrabass recorder C 2: Saxhorns ...
An alleged "Opus 13", Il pastor fido (The Faithful Shepherd) was published in 1737 by Jean-Noël Marchand through a secret agreement with Nicolas Chédeville to publish a collection of Chédeville's compositions under Vivaldi's name.