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Embroidery is the art of decorating fabric or other materials using a needle to stitch thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on hats, clothing, blankets, and handbags. Embroidery is available in a wide variety of thread or yarn colour.
An American sampler: "Margaret Barnholt her sampler done in the twelth [sic] year of her age 1831". English band sampler featuring 'boxers', c. 1650 A needlework sampler is a piece of embroidery or cross-stitching produced as a 'specimen of achievement', [1] demonstration or a test of skill in needlework.
The Butler-Bowdon Cope, 1330–1350, V&A Museum no. T.36-1955.. The Anglo-Saxon embroidery style combining split stitch and couching with silk and goldwork in gold or silver-gilt thread of the Durham examples flowered from the 12th to the 14th centuries into a style known to contemporaries as Opus Anglicanum or "English work".
Needlework was an important fact of women's identity during the Victorian age, including embroidery, netting, knitting, crochet, and Berlin wool work. A growing middle class had more leisure time than ever before; printed materials offered homemakers thousands of patterns.
Canvas covers are typically covered entirely by the embroidery. [6] Satin and velvet covers usually allow some of the base material to show through, due to their decorative nature. [6] Velvet bindings often featured embroidered appliqués, with little to no embroidery done on the velvet itself. [6] "The cloth was embroidered separately before ...
During the 1870s, Art Needlework (or art embroidery) gained popularity in Britain and became a common method for embroiders to use and teach. This method of embroidery was a reaction against the repetitive and unskilled needlework known as Berlin wool work, which had been immensely popular since the 1830s amongst leisured ladies. [5]
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Clare embroidery was a style of Irish textile art established at the Clare Embroidery School, which was founded by Florence Vere O'Brien. Using floral and geometric designs, often in blue and white threads, pieces decorated in this style were exhibited in Ireland, England and America. Queen Victoria purchased smocks decorated with Clare embroidery.