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Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
This article gives a chronological list of years in literature, with notable publications listed with their respective years and a small selection of notable events. The time covered in individual years covers Renaissance , Baroque and Modern literature, while Medieval literature is resolved by century.
Another literary movement in this period was the British Poetry Revival, a wide-reaching collection of groupings and subgroupings that embraces performance, sound and concrete poetry. Leading poets associated with this movement include J. H. Prynne, Eric Mottram, Tom Raworth, Denise Riley and Lee Harwood.
The Minimalism is an avantgardist artistic, dramatic and literary movement in the late 1960s and '70s U.S. emerged, is characterized by an economy with words and a focus on surface description. The poets who identified with it are Samuel Beckett , Grace Paley , Raymond Carver , Robert Grenier , Aram Saroyan , and Jon Fosse .
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The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
Modernism is a major literary movement of the first part of the twentieth-century. The term Postmodern literature is used to describe certain tendencies in post-World War II literature. Irish writers were especially important in the twentieth-century, including James Joyce and later Samuel Beckett , both central figures in the Modernist movement.
1916 in poetry – The Dada movement in art, poetry and literature coalesced at Cabaret Voltaire in Zurich, Switzerland, where Hugo Ball, Emmy Hennings, Tristan Tzara, Hans Arp, Richard Huelsenbeck, Sophie Täuber and others discussed art and put on performances expressing their disgust with World War I and the interests they believed inspired ...