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Janet Maslin (The New York Times) Harold McCarthy; Todd McCarthy (Variety, The Hollywood Reporter) Michael Medved (New York Post, Sneak Previews) Nell Minow (rogerebert.com and moviedom.com) Elvis Mitchell (The New York Times, Fort Worth Star-Telegram, Los Angeles Herald Examiner, The Detroit Free Press) Khalid Mohammed (Hindustan Times)
Wesley Morris (born 1975) [2] is an American film critic and podcast host. He is currently critic-at-large for The New York Times, [3] as well as co-host, with J Wortham, of the New York Times podcast Still Processing. Previously, Morris wrote for The Boston Globe, then Grantland. [4]
The New York Drama Critics' Circle meets twice a year. At the end of each theater season, it votes on the annual New York Drama Critics' Circle Awards, the second oldest playwriting award in the United States (after the Pulitzer Prize). The main award is for Best Play.
Anthony Oliver Scott (born July 10, 1966) is an American journalist and cultural critic, known for his film and literary criticism. After starting his career at The New York Review of Books, Variety, and Slate, he began writing film reviews for The New York Times in 2000, and became the paper's chief film critic in 2004, a title he shared with Manohla Dargis.
Manohla June Dargis (/ m ə ˈ n oʊ l ə ˈ d ɑːr ɡ ɪ s / mə-NOH-lə DAR-ghiss) [1] is an American film critic. She is the chief film critic for The New York Times. [2] She is a five-time finalist for the Pulitzer Prize for Criticism.
The play has been called "an urban legend" by The New York Times critic Jason Zinoman because of its long and storied history. [5]Perfect Crime was originally optioned for Broadway in 1980 by Morton Gottlieb, just after author Manzi graduated from the Yale School of Drama.
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Her 2011 movie "50/50" is the highest-rated by critics, with 2009's "Up in the Air" in second place. Anna Kendrick made her film debut in 2003's "Camp" over 20 years ago.