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Musically, the song is founded on a driving funk beat, with few chord changes and a simple melody in the key of D major. [7] [8] (The refrain is a 12 bar blues in D. The main chord is D7(♯ 9), also used in "Drive My Car" and "Taxman".) Paul McCartney said of this song, "John and I would like to do songs with just one note like 'Long Tall ...
"Oh! Darling" is a song by the English rock band the Beatles, appearing as the fourth song on their eleventh studio album Abbey Road (1969). It was written primarily by Paul McCartney [7] and credited to Lennon–McCartney.
The final climax begins at the word "Mars", a B ♭ note he holds for three bars. [36] [30] Afterwards, another sequence plays before the next verse begins. [8] Mick Ronson (pictured in 1981), whose string arrangement is prevalent throughout the song. Ronson based his string arrangement on the bassline Bolder worked on during rehearsals for the ...
According to the band's press officer, Derek Taylor, all four Beatles had abandoned their religious upbringings by 1964. In an interview for The Saturday Evening Post, in August of that year, he stated that the Beatles were "completely anti-Christ. I mean, I am anti-Christ as well, but they're so anti-Christ they shock me which isn't an easy ...
On a standard-tuned guitar (EADGBE) the song is played in the key of D; however, the recording was slowed electronically, resulting in a lower C ♯ tuning to the ear. The verse beginning "Words are flowing out" (I (D) chord) is notable for a prolonged vi (Bm)–iii (F ♯ m) to ii 7 (Em 7) minor drop to the dominant chord V 7 (A 7) on "across the universe" in the 4th bar. [7]
The Esher demo was first released on Anthology 3 (1996) and the 2018 deluxe edition of The Beatles. [8] Anthology 3 also included an alternate version that contained various sound effects rather than the string arrangement. This is the first track on The Beatles to feature Ringo Starr on drums.
"Any Time at All" is a song by the English rock band the Beatles. Credited to the Lennon–McCartney partnership, it was mainly composed by John Lennon, with an instrumental middle eight by Paul McCartney. [2] It first appeared on the Beatles' A Hard Day's Night album.
The unusual chord progression is an example of the Beatles' use of chords for added harmonic expression, [28] a device that Harrison adopted from Lennon's approach to melody. [29] Musicologist Walter Everett describes the composition as "a tour de force of altered scale degrees". He adds that, such is the ambiguity throughout, "its tonal ...