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Pablo de Sarasate: Navarra, Duo in A major for 2 violins and orchestra (or piano), Op. 33 (1889.) Johanna Senfter : Concerto for 2 violins and string orchestra, Op. 40 Obadiah Shuttleworth : 2 concerti grossi, for two solo violins and string orchestra, arranged from the opus 5 solo sonatas by Arcangelo Corelli (1653–1713)
Violin Concerto No. 5 in E-flat major, Op. 17 (1807) ... Duo for 2 Violins in F major, Op. 148 ... Free Sheet Music PDF Download.
This intention for educative works was exploited by the fact that he was a teacher himself, then he chose to write works for his pupils to play. Nevertheless, all songs and dances included in this series are based on folk music from many Eastern Europe countries, but harmonic and rhythmic freedom is evident throughout the whole piece.
The Violin Sonata No. 4 (also known as the Duo or Grand Duo) in A major, Op. posth. 162, D 574, for violin and piano by Franz Schubert was composed in 1817.This sonata, composed one year after his first three violin sonatas, was a much more individual work, showing neither the influence of Mozart, as in these previous works, nor of Rossini, as in the contemporaneous 6th Symphony.
The performance at the Triton concert was the "Western premiere". The performers on that occasion were Robert Soetens - for whom Prokofiev would compose his second violin concerto in 1935 - and Samuel Dushkin, for whom Stravinsky composed his violin concerto a few months earlier. [1] The work was published in 1932 in Berlin by Éditions Russes ...
Presumably the Concertone was performed by the Salzburg court orchestra. Music with string solos was fashionable at the time, led by Mozart's employer Archbishop Colloredo, who himself played the violin. It was written before the 1775 violin concertos in Salzburg, and was first published in 1870 in Leipzig by August Cranz Hofmeister.
A virtuoso on the violin and mandolin, he wrote an early mandolin method, Analytical method for mastering the violin or the mandolin in 1768 and composed for both instruments. [1] [2] He was an early teacher of the duo method, an advanced technique which would reappear in the 20th century, taught by Giuseppe Pettine in the United States. [3]
It was then held every other year till 1981. It was held consecutively from 1981 to 1983, and then every other year again till 1999. In 1953, three categories were added: violin, flute, violin-piano duo. Violin competition was held every 3 years from 1966 to 1984. Four categories were added in 1954: voice, oboe, bassoon, clarinet.
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