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The most common texture in Western music: melody and accompaniment. Multiple voices of which one, the melody, stands out prominently and the others form a background of harmonic accompaniment. If all the parts have much the same rhythm, the homophonic texture can also be described as homorhythmic.
Some definitions refer to music as a score, or a composition: [18] [7] [19] music can be read as well as heard, and a piece of music written but never played is a piece of music notwithstanding. According to Edward E. Gordon the process of reading music , at least for trained musicians, involves a process, called "inner hearing" or "audiation ...
Texture (music) This page was last edited on 1 July 2016, at 16:45 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 License ...
Music from the Classical period has a lighter, clearer and considerably simpler texture than the Baroque music which preceded it. The main style was homophony, [56] where a prominent melody and a subordinate chordal accompaniment part are clearly distinct. Classical instrumental melodies tended to be almost voicelike and singable.
In music, heterophony is a type of texture characterized by the simultaneous variation of a single melodic line. Such a texture can be regarded as a kind of complex monophony in which there is only one basic melody, but realized at the same time in multiple voices, each of which plays the melody differently, either in a different rhythm or tempo, or with various embellishments and elaborations ...
Music theory is the study of theoretical frameworks for understanding the practices and possibilities of music. ... [56] and a homorhythmic texture. In music, ...
In music, tessitura (English: / ˌ t ɛ s ɪ ˈ t ʊər ə / TESS-ih-TOOR-ə, UK also /-ˈ tj ʊər-/- TURE-, Italian: [tessiˈtuːra]; pl. tessiture; lit. ' weaving ' or ' texture ') is the most acceptable and comfortable vocal range for a given singer (or, less frequently, musical instrument).
Micropolyphony is a kind of polyphonic musical texture developed by György Ligeti, which consists of many lines of dense canons moving at different tempos or rhythms, thus resulting in tone clusters.