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Peter Paul Rubens. Sir Peter Paul Rubens (/ ˈruːbənz / ROO-bənz; [1] Dutch: [ˈrybə (n)s]; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat. [2] He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history.
The Four Continents, also known as The Four Rivers of Paradise or The Four Corners of the World, is a painting by Flemish artist Peter Paul Rubens, made between 1612 and 1615. Rubens painted this piece during a time of truce in the Eighty Years' War known as the Twelve Years' Truce. The painting depicts the female personifications of the four ...
Samson and Delilah is a painting long attributed to the Flemish Baroque artist Peter Paul Rubens (1577–1640) in the National Gallery, London. It dates from about 1609 to 1610. Two preliminary copies of the painting exist today: an ink-and-wash drawing on paper, and an oil sketch on wood panel. The oil sketch is in the Cincinnati Art Museum ...
Cathedral of Our Lady, Antwerp. The Descent from the Cross is the central panel of a triptych painting by the Baroque artist Peter Paul Rubens in 1612–1614. It is still in its original place, the Cathedral of Our Lady, Antwerp, Belgium. The painting is considered to be one of Rubens' masterpieces. The painting depicts the moment when the body ...
The Fall of the Damned. The Fall of the Damned, alternately known as The Fall of the Rebel Angels, [1] is a monumental religious painting by Peter Paul Rubens dated around 1620. It depicts a jumble of the bodies of the damned, hurled into the abyss by archangel Michael and accompanying angels. [2] In 1959, an art vandal threw acid on the painting.
The Elevation of the Cross. The Elevation of the Cross (also called The Raising of the Cross) is the name of two paintings, a very large triptych in oil on panel and a much smaller oil on paper painting. [1] Both pieces were painted by the Flemish artist Peter Paul Rubens in Antwerp, Belgium, the original in 1610 and the latter in 1638. [1]
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