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The tapes that would later become Live at Max's Kansas City were recorded on August 23, 1970, by Andy Warhol associate Brigid Polk on a portable cassette recorder. During the recording of Loaded, the Velvet Underground also held a nine-week engagement (June 24 – August 28, 1970) playing two sets per night at New York City nightclub Max's ...
July 26, 1970 (Live at Max's Kansas City) August 23, 1970 (Live at Max's Kansas City, deluxe edition) "Loop" Studio recordings: Aspen #3 (1966) Released on a flexidisc split with "White Wind" by Peter Walker for issue #3 of Aspen magazine (designed by Andy Warhol). [2] Credited to The Velvet Underground, but in reality a solo effort by John Cale.
In May 1972, Atlantic released Live at Max's Kansas City, the recording of the Velvet Underground's final performance with Reed (also with Doug Yule, Morrison, and Billy Yule) made by a fan, Brigid Polk, on August 23, 1970. Due to publicity around the release, and growing interest in the Velvet Underground in Europe, Sesnick was able to secure ...
“Nightclubbing,” the first-ever documentary about the legendary New York City nightclub Max’s Kansas City, which from 1965 through 1981 was a hotbed for the city’s rock, glam, punk and new ...
1970: On the live album Live at Max's Kansas City; 1972: On the live album Le Bataclan '72; 2003: Anohni on Reed's live album Animal Serenade; In 2005, Lou Reed joined Antony and the Johnsons for a rendition of "Candy Says" on stage at Anohni's Carnegie Hall show. 2006: Anohni and Reed on his live album Berlin: Live At St. Ann's Warehouse
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Max's Kansas City was a nightclub and restaurant at 213 Park Avenue South in New York City, which became a gathering spot for musicians, poets, artists, and politicians in the 1960s and 1970s. It was opened by Mickey Ruskin (1933–1983) in December 1965 and closed in 1981.