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The Argand lamp was introduced to Thomas Jefferson in Paris in 1784 and according to him gave off "a light equal to six or eight candles." [ 4 ] These new lamps, much more complex and costly than the previous primitive oil lamps, were first adopted by the wealthy, but soon spread to the middle classes and eventually the less well-off as well.
Plique-à-jour (French for "letting in daylight") is a vitreous enamelling technique where the enamel is applied in cells, similar to cloisonné, but with no backing in the final product, so light can shine through the transparent or translucent enamel.
Today, torchère lamps use fluorescent, halogen, or LED light bulbs. Adjusting the pulse-width modulation in the electronic ballast can allow the fluorescent torchères to be dimmed. Halogen torchères usually came with a simple switch. Some more expensive models have a TRIAC dimmer circuit built into the stem. Early lamps with 300W bulbs ...
In the 1980s, after watching a salvage operation, Bob Rosenzweig started the reproduction and selling of his faux-antique bulbs. [9] These vintage-style light bulb reproductions were sold mostly to collectors and prop houses, and continued until the turn of the 21st century when new regulations banned low-efficiency lighting in many countries.
The founder, Jim Kelly, began the business with $1,000 and his interest in architectural salvage. When business was slow, Kelly would restore vintage light fixtures to working order. [2] As demand for the fixtures grew, Kelly began manufacturing reproduction vintage lighting in a Portland factory and selling it nationally through a mail-order ...
During the 19th century, the collectors' market for antique fine china was considerable, and Samson’s firm reproduced ceramics in a breadth of styles including the faience and maiolica types of Italian pottery, Persian style dishes, Hispano-Moresque pottery (a blending of Islamic and European motifs, produced during the 13th to 15th centuries ...
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