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All; all together, usually used in an orchestral or choral score when the orchestra or all of the voices come in at the same time, also seen in Baroque-era music where two instruments share the same copy of music, after one instrument has broken off to play a more advanced form: they both play together again at the point marked tutti.
One lovely example of its sonorities comes near the beginning." [18] Mozart Piano Concerto K482 first movement bars 1-12 Mozart Piano Concerto K482 first movement bars 1-6. The orchestral tutti in the first two bars is answered by just horns and bassoon in bars 2–6. This passage repeats with fresh orchestration:
Orchestrion is a generic name for a machine that plays music and is designed to sound like an orchestra or band. Orchestrions may be operated by means of a large pinned cylinder or by a music roll and less commonly book music.
The book was wrapped in dark red cloth with two stapled, folded multiple page scores, with the title in a gold color. [2] The two songs featured were "The Song of the Volga Boatmen" in six pages and "I'm Thrilled" in five pages, which had been released as 78 singles by Glenn Miller and his Orchestra on RCA Victor. Glenn Miller described the ...
In addition to leading the section, principal players are responsible for playing any solos written for that voice in a given musical score. The principal first violin is called the concertmaster (or "leader" in the UK) and is considered the leader of not only the string section, but of the entire orchestra, subordinate only to the conductor.
A string section can be utilized on its own (this is referred to as a string orchestra) [27] or in conjunction with any of the other instrumental sections. More than one string orchestra can be utilized. A standard string section (vln., vln 2., vla., vcl, cb.) with each section playing unison allows the arranger to create a five-part texture.
Composer Gustavo Santaolalla talks about taking on the 1931 classic 'Dracula' score. The Oscar winner takes the United Theater on Broadway stage with the L.A. Opera orchestra.
While piano-vocal scores tend to consist of the vocal lines and a piano reduction of the whole orchestra onto two staves, piano-conductor scores tend to consist of the vocal lines and one of the orchestral piano parts that already exists, coupled with another staff containing the rest of the orchestral reduction (in contrast to a piano-vocal score, where the piano and other orchestral parts ...