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Tartuffe, or The Impostor, or The Hypocrite (/ t ɑːr ˈ t ʊ f,-ˈ t uː f /; [1] French: Tartuffe, ou l'Imposteur, pronounced [taʁtyf u lɛ̃pɔstœʁ]), first performed in 1664, is a theatrical comedy (or more specifically, a farce) by Molière. The characters of Tartuffe, Elmire, and Orgon are considered among the greatest classical ...
The Misanthrope, or the Cantankerous Lover (French: Le Misanthrope ou l'Atrabilaire amoureux; French pronunciation: [lə mizɑ̃tʁɔp u latʁabilɛːʁ amuʁø]) is a 17th-century comedy of manners in verse written by Molière.
Title page of the Bibliothèque nationale de France copy of the first published edition of the play, 1793. The Guilty Mother (French: La Mère coupable), subtitled The Other Tartuffe, is the third play of the Figaro trilogy by Pierre Beaumarchais; its predecessors were The Barber of Seville and The Marriage of Figaro. [1]
Freyda Thomas adapts Moliere's 'Tartuffe' with an American twist in a winning production at Topanga's beloved Will Geer Theatricum Botanicum.
Jean-Baptiste Poquelin (French: [ʒɑ̃ batist pɔklɛ̃]; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (UK: / ˈ m ɒ l i ɛər, ˈ m oʊ l-/, US: / m oʊ l ˈ j ɛər, ˌ m oʊ l i ˈ ɛər /; [1] [2] [3] French:), was a French playwright, actor, and poet, widely regarded as one of the great writers in the French language and world literature.
Harpagon and La Flèche in a German production of The Miser, 1810 Harpagon Molière The tyrannical father of Cléante and Élise Harpagon is a sexagenarian bourgeois miser whose love for his cash box exceeds that for his children.
[1] and L'imposteur de Corneille et le Tartuffe de Molière, [2] announced that he had uncovered a literary trickery. According to him, Molière had only been Corneille's pen name, according to a practice that Louÿs believed to be common, but which was in fact only found in 17th century literature pamphleteer and in certain collections of ...
She was the Elmire at the first performance of Tartuffe, and the Lucile of Le Bourgeois gentilhomme. [2] All these parts were written by her husband to display her talents to the best advantage, and she made the most of her opportunities. Neither was happy; the wife was a flirt, the husband jealous.