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The National Serigraph Society was founded in 1940 by a group of artists involved in the WPA Federal Art Project, including Anthony Velonis, Max Arthur Cohn, and Hyman Warsager. [ 1 ] [ 2 ] [ 3 ] The creation of the society coincided with the rise of serigraphs being used as a medium for fine art. [ 4 ]
The Society's "active program of traveling exhibits, lectures, and portfolios of prints helped to sustain and broaden interest in the serigraph". [27] The Dallas Museum of Art held several exhibits of the work of the National serigraph Society members in 1944, 1947, and 1951 [28] [29] [30]
The next year, Velonis, Max Arthur Cohn, Warsager, and other artists co-founded the National Serigraph Society. [1] [8] [21] It started out with relatively small commercial projects, such as "rather fancy" Christmas cards that were sold to many of the upscale Fifth Avenue shops for a dollar apiece.
Anthony Velonis Technical Problems of the Artist 1938 National print exhibition, Federal Art Gallery. 1931 - Buffalo Print Club, with guidance from Kevin B. O'Callahan, was established this year, then hosted annual exhibitions through 1962, when it closed. [17] [18] 1933 – American printmaker Adolf Dehn set up the Adolf Dehn Print Club. For ...
In the 1940s Maccoy's work was included in several of the Dallas Museum of Art exhibitions of the National Serigraph Society. [5] [6] [7] In 1947 Maccoy moved to Los Angeles, California where he taught at the Otis Art Institute and was a founder of the Western Serigraph Society. [4] He died on March 18, 1981 [1] in Los Angeles. [2]
La Ofrenda is a 1990 serigraph. This print is in the permanent collection at the Smithsonian American Art Museum in Washington, DC [22] and the National Museum of Mexican Art in Chicago. [7] This print portrays a woman with a short punk-style haircut facing away from spectators while showcasing La Virgen de Guadalupe tattooed on her back.
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In 1967, Perreiah moved to Lexington, Kentucky, and became a founding member of the Kentucky Guild of Artists and Craftsmen. [4] Working with fine press printers in central Kentucky including Robert James Foose at Buttonwood Press, and Arthur Graham at Polyglot Press, she produced hand-printed serigraphs that illustrate limited-edition works such as her Eight Fables of Aesop (Buttonwood Press ...