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  2. Metaphysical Interior with Biscuits - Wikipedia

    en.wikipedia.org/wiki/Metaphysical_Interior_with...

    Menil Collection, Houston Metaphysical Interior with Biscuits (Italian: Interno metafisico con biscotti ) is a 1916 painting by Italian metaphysical painter Giorgio de Chirico . It is one of the earliest editions in a series of works that extended late into Chirico's career.

  3. Italian Renaissance interior design - Wikipedia

    en.wikipedia.org/wiki/Italian_Renaissance...

    Much furniture was also relatively grotesque (a French variation of the Italian word grottesco), often creating sculpted odd-looking gargoyles and monsters to make these items seem more amusing. [1] Caryatids became popular at the time, and were made out of marble (the rich people used them as legs to their dining tables).

  4. Casa Malaparte - Wikipedia

    en.wikipedia.org/wiki/Casa_Malaparte

    The building was donated to the Giorgio Ronchi Foundation in 1972. [1] Malaparte's great-nephew, Niccolò Rositani, was primarily responsible for restoring the house to a livable state. Much of the original furniture is still there, because it is too large to remove. The marble sunken bath in the bedroom of his mistress still exists and functions.

  5. How a Deceptively Simple Lamp Launched Giorgio Armani’s ...

    www.aol.com/deceptively-simple-lamp-launched...

    The Logo lamp from Armani/Casa, which Giorgio Armani designed in 1982. Armani/Casa Now the piece is known, fittingly, as the Logo lamp, and it remains a staple of the Armani/Casa collection.

  6. Armani - Wikipedia

    en.wikipedia.org/wiki/Armani

    The Armani label also consists of a furniture and home collection called Armani/Casa. [86] While the Italian word "casa" usually means "house", its usage here instead means "at home". [87] Giorgio Armani launched his interior design collection in 2000 with a flagship store opening in Milan, Italy the same year. When Armani was asked about why ...

  7. Studiolo of Francesco I - Wikipedia

    en.wikipedia.org/wiki/Studiolo_of_Francesco_I

    Here the prince tinkered with alchemy and kept his collection of small, precious, unusual or rare objects. The walls and ceiling were decorated with paintings showing a similar variety of subjects, some showing exotic forms of industry and others mythology. The inset paintings are now all that remains in the room of the original contents.

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