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  2. Film-out - Wikipedia

    en.wikipedia.org/wiki/Film-out

    Film-out of standard-definition video – or any source that has an incompatible frame rate – is the up-conversion of video media to film for theatrical viewing. The video-to-film conversion process consists of two major steps: first, the conversion of video into digital film frames which are then stored on a computer or on HD videotape; and secondly, the printing of these digital film ...

  3. Deinterlacing - Wikipedia

    en.wikipedia.org/wiki/Deinterlacing

    This process of dividing frames into half-resolution fields at double the frame rate is known as interlacing. Since the interlaced signal contains the two fields of a video frame shot at two different times, it enhances motion perception to the viewer and reduces flicker by taking advantage of the persistence of vision effect. This results in ...

  4. Video compression picture types - Wikipedia

    en.wikipedia.org/wiki/Video_compression_picture...

    Three types of pictures (or frames) are used in video compression: I, P, and B frames. An I‑frame (intra-coded picture) is a complete image, like a JPG or BMP image file. A P‑frame (Predicted picture) holds only the changes in the image from a previous frame. For example, in a scene where a car moves across a stationary background, only the ...

  5. Common Intermediate Format - Wikipedia

    en.wikipedia.org/wiki/Common_Intermediate_Format

    CIF (Common Intermediate Format or Common Interchange Format), also known as FCIF (Full Common Intermediate Format), is a standardized format for the picture resolution, frame rate, color space, and color subsampling of digital video sequences used in video teleconferencing systems. It was first defined in the H.261 standard in 1988.

  6. Digital video - Wikipedia

    en.wikipedia.org/wiki/Digital_video

    Digital video comprises a series of digital images displayed in rapid succession. In the context of video, these images are called frames. [e] The rate at which frames are displayed is known as the frame rate and is measured in frames per second. Every frame is a digital image and so comprises a formation of pixels.

  7. Three-two pull down - Wikipedia

    en.wikipedia.org/wiki/Three-two_pull_down

    Three-two pull down (3:2 pull down) is a term used in filmmaking and television production for the post-production process of transferring film to video. It converts 24 frames per second into 29.97 frames per second, converting approximately every four frames into five frames plus a slight slow down in speed.

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