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It was the opening track on the self-titled debut album by the Paul Butterfield Blues Band in 1965 and has since become a blues standard. Gravenites, who was born in Chicago, first performed the song when in a duo with guitarist Mike Bloomfield, playing in clubs in the city in the early 1960s.
The Paul Butterfield Blues Band was an American blues and blues-rock band from Chicago.Formed in the summer of 1963, the group originally featured eponymous vocalist and harmonicist Paul Butterfield, guitarist Elvin Bishop, bassist Jerome Arnold, and drummer Sam Lay. [1]
Gravenites spent time both in Chicago and San Francisco in the early 1960s. He wrote the song "Born in Chicago", which became the opening track on the Paul Butterfield Blues Band debut album, and, with guitarist Bloomfield, co-wrote the title track of their second album, East-West; the band was inducted into the Rock and Roll Hall of Fame in ...
Paul Vaughn Butterfield [2] was born on December 17, 1942, in Chicago [2] and raised in the city's Hyde Park neighborhood. The son of a lawyer and a painter, he attended the University of Chicago Laboratory Schools, a private school associated with the University of Chicago.
Michael Bernard Bloomfield (July 28, 1943 – February 15, 1981) was an American blues guitarist and composer. Born in Chicago, he became one of the first popular music stars of the 1960s to earn his reputation almost entirely on his instrumental prowess, as he rarely sang before 1969. [1]
Bruce Springsteen's “Born in the U.S.A.” rocked the Democratic National Convention on Thursday, Aug. 22 as vice presidential nominee Tim Walz and his family entered the United Center in Chicago.
Barbara Jean Acklin (February 28, 1943 – November 27, 1998) [1] [2] [3] was an American soul singer and songwriter, who was most successful in the 1960s and 1970s.Her biggest hit as a singer was "Love Makes a Woman" (1968).
In My Own Dream is the fourth album by the American blues rock band Paul Butterfield Blues Band.Released in 1968, it continued the trend of its predecessor The Resurrection of Pigboy Crabshaw in moving towards a more soul-oriented sound, supported by a first rate horn section, (featuring a young David Sanborn), but was not so well-received either by critics or the public as its predecessor.