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The American Renaissance was a period of American architecture and the arts from 1876 to 1917, [1] characterized by renewed national self-confidence and a feeling that the United States was the heir to Greek democracy, Roman law, and Renaissance humanism.
American Renaissance has held conferences since 1994. Anti-racist activists were sometimes successful in persuading private hotels to cancel their reservations with American Renaissance. [21] In 2011, the publication planned to hold a three-day conference at a Sheraton Airport hotel in Charlotte, North Carolina.
The American Renaissance period in American literature ran from about 1830 to around the Civil War. [1] A central term in American studies , the American Renaissance was for a while considered synonymous with American Romanticism [ 2 ] and was closely associated with Transcendentalism .
Matthiessen was an American studies scholar and literary critic at Harvard University, [6] and chaired its undergraduate program in history and literature. [7] He wrote and edited landmark works of scholarship on T. S. Eliot, Ralph Waldo Emerson, the James family (Alice James, Henry James, Henry James Sr., and William James), Sarah Orne Jewett, Sinclair Lewis, Herman Melville, Henry David ...
The dominant social class of the Northeast possessed the confidence to proclaim an "American Renaissance", which could be identified in the rush of new public institutions that marked the period—hospitals, museums, colleges, opera houses, libraries, orchestras— and by the Beaux-Arts architectural idiom in which they splendidly stood forth ...
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American Renaissance is the period from 1876 to 1917 in American architecture and arts, characterized by renewed national self-confidence and a feeling that the United States was the heir to Greek democracy, Roman law, and Renaissance humanism. American Renaissance may also refer to: American Renaissance (literature), period in American ...
Violet Oakley (June 10, 1874 – February 25, 1961) was an American artist. She was the first American woman to receive a public mural commission. During the first quarter of the 20th century, she was renowned as a pathbreaker in mural decoration, a field that had been exclusively practiced by men.