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Rekhti (Urdu: ریختی, Hindi: रेख़ती), is a form of Urdu feminist poetry. A genre developed by male poets, [1] it uses women's voices to talk about themselves. [2] [3] [4] It was formed in 19th-century Lucknow, then part of the State of Awadh (now in Uttar Pradesh, India). [1] The poet Saadat Yaar Khan Rangin is credited with its ...
This is a list of dāstāns and qissas (prose fiction) written in Urdu during the 18th and 19th centuries. The skeleton of the list is a reproduction of the list provided by Gyan Chand Jain in his study entitled Urdū kī nasrī dāstānen .
The Culture of Domesticity (often shortened to Cult of Domesticity [1]) or Cult of True Womanhood is a term used by historians to describe what they consider to have been a prevailing value system among the upper and middle classes during the 19th century in the United States. [2]
Urdu poetry (Urdu: اُردُو شاعرى, romanized: Urdū Shāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . Several prominent Urdu poets include Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938) and Josh ...
Ada Jafarey was part of a traditionally conservative society where women were not allowed to think and express independently. [2] But she was bold enough to express herself. [6] Despite having traditionality ingrained in her personality, she took part in modern art. [1] As early as 1950, she was recognized as the First Lady of Urdu Poetry.
Mah Laqa Bai (7 April 1768 – August 1824), born Chanda Bai, and sometimes referred to as Mah Laqa Chanda, was an Indian 18th century Urdu poet, courtesan and philanthropist based in Hyderabad. In 1824, she became the first female poet to have a diwan (collection of poems) of her work, a compilation of Urdu Ghazals named Gulzar-e-Mahlaqa ...
According to a major Pakistani English-language newspaper, Altaf Hussain Hali and Maulana Shibli Nomani played key roles in rescuing Urdu language poetry in the 19th century, "Hali and Shibli rescued Urdu poetry. They re-conceived Urdu poetry and took it towards a transformation that was the need of the hour."
In the late 19th century, reform movements of Urdu's literary landscape were influenced by the impacts of British colonialism. [23] One notable leader in the modernist Islamic reform movement was Altaf Hussain Hali , who believed the ghazal to be outdated and limited in its particular rules of craft. [ 24 ]