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A prayer wheel, or mani wheel, is a cylindrical wheel (Tibetan: འཁོར་ལོ།, Wylie: ' khor lo, Oirat: кюрдэ) for Buddhist recitation. The wheel is installed on a spindle made from metal, wood, stone, leather, or coarse cotton. Prayer wheels are common in Tibet and areas where Tibetan culture is predominant.
The Thirty-Five Confession Buddhas are a common subject depicted in Himalayan Buddhist paintings and sculpture. There are at least three different iconographic systems for depicting the Thirty-Five Buddhas, based on the different descriptions found in ritual texts and commentaries by different authors including Nagarjuna, [nb 1] Sakya Paṇḍita, Jonang Tāranātha and Je Tsongkhapa.
Tingsha Tingsha cymbals designed with the eight auspicious symbols Tibetan tingsha bells with the mantra Om Mani Padme Hung mantra written round them. Tingsha (or ting-sha) (Tibetan: ཏིང་ཤགས་, Wylie: ting-shags) are small cymbals used in prayer and rituals by Tibetan Buddhist practitioners. Two cymbals are joined together by a ...
In Tibetan Buddhism, this is the most ubiquitous mantra and its recitation is a popular form of religious practice, performed by laypersons and monastics alike. It is also an ever-present feature of the landscape, commonly carved onto rocks, known as mani stones, painted into the sides of hills, or else it is written on prayer flags and prayer ...
Tibetan Buddhism [a] is a form of Buddhism practiced in Tibet, Bhutan and Mongolia. It also has a sizable number of adherents in the areas surrounding the Himalayas, including the Indian regions of Ladakh, Darjeeling, Sikkim, and Zangnan (Arunachal Pradesh), as well as in Nepal.
In Tibetan Buddhism, the Three Jewels and Three Roots are supports in which a Buddhist takes refuge by means of a prayer or recitation at the beginning of the day or of a practice session. The Three Jewels are the first and the Three Roots are the second set of three Tibetan Buddhist refuge formulations, the Outer , Inner and Secret forms of ...
Mani stones are stone plates, rocks, or pebbles inscribed with the six-syllabled mantra of Avalokiteshvara [1] (Om mani padme hum, hence the name mani stone) as a form of prayer in Tibetan Buddhism. The term mani stone may also be used to refer to stones on which any mantra or devotional designs (such as ashtamangala) are inscribed or painted.
In 168-179 CE, the Gandharan monk Lokakṣema arrives in Han China and translates the Śūraṅgama Sūtra into Classical Chinese.. The currently popular version of the Śūraṅgama Sūtra and Śūraṅgama mantra were translated and transliterated from Sanskrit to Chinese characters during the Tang dynasty by the monk Paramiti from North India and reviewed by Meghashikara from Oddiyana after ...