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The basic forms of writing table, the drop-front desk and cylinder desk had all appeared in the furniture of Louis XV, but their appearance became more classical, geometric and sober under Louis XVI, and the quality marquetry inlays became much finer. The writing tables varied in size, but had leather tops, tapering legs, and usually three drawers.
Boulle work [1] (also known as buhl work) is a type of rich marquetry [2] process or inlay perfected by the French cabinetmaker André-Charles Boulle (1642–1732). [3] It involves veneering furniture with tortoiseshell inlaid primarily with brass and pewter in elaborate designs, often incorporating arabesques.
The Bonheur-du-jour was a small desk with cabinet which appeared in about 1760. Following the new style of the late Louis XV period, it had no gilded bronze. It featured graceful curbed legs, but the top part was geometric, with delicate inlays of marquetry flowers.
The Bureau du Roi (French pronunciation: [byʁo dy ʁwa], 'the King's desk'), also known as Louis XV's roll-top desk (French: Secrétaire à cylindre de Louis XV), is the richly ornamented royal cylinder desk which was constructed at the end of Louis XV's reign, and is now again in the Palace of Versailles.
The first payment on record to him by the crown (1669) specifies ouvrages de peinture and Boulle was employed for years on end at the Versailles, where the mirrored walls, floors of wood mosaic, inlaid paneling and marquetry in the Cabinet du Dauphin (1682–1686) came to be regarded by such as Jean-Aimar Piganiol de La Force ( 21 September ...
The bureau or desk in its rough modern form appeared under Louis XIV. The earliest version was the Mazarin desk, named for Louis's prime minister, Cardinal Mazarin. It had two columns of three drawers each, each mounted on four feet and connected by an E-shaped brace, supporting a flat writing surface with a single drawer beneath.
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