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Bellini's best-known opera, paradigm of Romantic operas. The final act of this work is often noted for the originality of its orchestration. [60] 1831 Robert le diable (Giacomo Meyerbeer). Meyerbeer's first Grand Opera for Paris caused a sensation with its ballet of dead nuns. [61] 1832 L'elisir d'amore (Donizetti). This work was the most often ...
The farewell aria of Sultan Bazajet in Handel's opera Tamerlano (note the da capo instruction). First edition, London, 1719. In music, an aria (Italian:; pl.: arie, Italian:; arias in common usage; diminutive form: arietta, Italian:; pl.: ariette; in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger ...
" Nessun dorma" (Italian: [nesˌsun ˈdɔrma]; English: "Let no one sleep") [1] is an aria from the final act of Giacomo Puccini's opera Turandot (text by Giuseppe Adami and Renato Simoni) and one of the best-known tenor arias in all opera.
Carmen has since become one of the most popular and frequently performed operas in the classical canon; the "Habanera" and "Seguidilla" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of opéra comique with musical numbers
La bohème is one of the most popular operas, and "Che gelida manina", being the best-known tenor aria of the opera, is consequently one of the most recorded arias by tenors. Between 1900 and 1980, almost 500 tenors recorded this aria in at least seven different languages. [ 10 ]
Carmen: Duets & Arias is an album released in 2010 by Italian tenor, Andrea Bocelli. [2] The album is a collection of arias of Georges Bizet 's opera Carmen , including duets with Welsh bass-baritone , Bryn Terfel , Russian mezzo-soprano Marina Domashenko , and Italian soprano Eva Mei , from the French opéra comique .
Hicks, Anthony (1992), 'Handel, George Frideric' in The New Grove Dictionary of Opera, ed. Stanley Sadie (London) ISBN 0-333-73432-7; Warrack, John and West, Ewan (1992), The Oxford Dictionary of Opera, 782 pages, ISBN 0-19-869164-5; Some of the information in this article is taken from the related Dutch Wikipedia article.
K 1 K 6 Composition, score and critical report () Librettist Date 21: 19c "Va, dal furor portata" (Score/Crit. report) Aria for tenor and orchestra: Metastasio Ezio, II,4: 1765 36: 33i
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