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In Delft, Netherlands blue and white ceramics taking their designs from Chinese export porcelains made for the Dutch market were made in large numbers throughout the 17th Century. Blue and white Delftware was itself extensively copied by factories in other European countries, including England, where it is known as English Delftware.
Dish with opalescent blue and lavender splashed glazes, Jin dynasty (1115–1234) The glaze of Jun ware is always thick and opaque. It is often very thin or absent around the rim, but thick at the foot, where it typically leaves a small part uncovered. Both the light blue and purple colours are first seen in Chinese pottery in Jun wares.
A number of important ceramic items are also owned and kept in various temples in Japan such as the Ryūkō-in, Kohō-an and Shōkoku-ji, however the items are not exhibited publicly. Most ceramic museums around the world have collections of Japanese pottery, many very extensive. Japanese modern ceramic works are often very sought-after and ...
It is known mainly for its sometsuke underglaze cobalt blue and white porcelain, with the amount of blue often low, showing off the detailed modelling and the very fine white colour of the porcelain. This has a finer grain than most Japanese porcelains, allowing fine detail and thin and complicated openwork in forms.
Today, Delfts Blauw (Delft Blue) is the brand name hand painted on the bottom of ceramic pieces identifying them as authentic and collectible. Although most Delft Blue borrows from the tin-glaze tradition, it is nearly all decorated in underglaze blue on a white clay body and very little uses tin glaze, a more expensive product.
Arita porcelain dish with underglaze blue, with design of river, weirs, and maple leaves, c. 1650–1670s Arita Sarayama dish with overglaze polychrome enamel design of plum and fence, 1700–1730s Arita ware ( Japanese : 有田焼 , Hepburn : Arita-yaki ) is a broad term for Japanese porcelain made in the area around the town of Arita , in the ...
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