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In time (i.e. the performer should return to the stable tempo, such as after an accelerando or ritardando); also may be found in combination with other terms such as a tempo giusto (in strict time) or a tempo di menuetto (at the speed of a minuet) ab (Ger.) off, organ stops or mutes abafando (Port.) muffled, muted abandon or avec (Fr.)
Tempo Primo – resume the original tempo [28] While the base tempo indication (such as Allegro) typically appears in large type above the staff, adjustments typically appear below the staff or, in the case of keyboard instruments, in the middle of the grand staff.
Slow and solemn tempo (slower than largo) Largo: broad: Slow and dignified tempo Largamente: broadly: Slow and dignified tempo Larghetto: broad-ish: Slightly less dignified than largo (so slightly faster tempo) Lento: slow: Slow tempo Lentando: slowing: Decelerating, slowing down L'istesso tempo: the same time: At the same tempo Moderato ...
The movements are as follows: [2] Moderato; Lento; Con moto; There is quite a number of tempo/mood changes in movements 1–2. Moderato (♩=86) — Tempo primo — Allegro vivace — Meno mosso — Pochissimo meno — un poco animando — Pochissimo meno — Stringendo — Molto meno (tempo primo) — Molto accelerando [a].
Tempo primo A restatement of the opening material from the first movement opens the finale. Saint-Saëns introduces two new themes but also includes the recapitulation of the fourth theme from the first movement, tying the whole design together. [2]
The tempo immediately returns to Maestoso; the coda using both subjects. Finally, the concerto ends in C major where the piano soloist has a triumphant scale while the timpani beats the previous rhythm. The first version of 1897 is a three-in-one structure of "Allegro non troppo"—"Largo"—"Tempo primo". [7]
Moderato quasi andante – Molto meno vivo – Allegro molto – Alla marcia – Allegro – Presto – Tempo primo. Like Scriabin's other late works, the piece is highly chromatic. The Black Mass Sonata is particularly dissonant because many of its themes are based around an interval of a minor ninth, one of the most unstable sounds.
Allegro con moto — Tempo un poco più Moderato — Schnell (494 bars); Scherzo: Allegro molto — Trio: Più lento — Tempo primo (459 bars); Adagio non troppo — Allegro — Tempo primo (157 bars)