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Literary realism is a literary genre, part of the broader realism in arts, that attempts to represent subject-matter truthfully, avoiding speculative fiction and supernatural elements. It originated with the realist art movement that began with mid- nineteenth-century French literature ( Stendhal ) and Russian literature ( Alexander Pushkin ...
Realism was an artistic movement that emerged in France in the 1840s, around the 1848 Revolution. [1] Realists rejected Romanticism, which had dominated French literature and art since the early 19th century. Realism revolted against the exotic subject matter and the exaggerated emotionalism and drama of the Romantic movement. Instead, it ...
Cycles of the Labours of the Months in late medieval art, of which many examples survive from books of hours, concentrate on peasants laboring on different tasks through the seasons, often in a rich landscape background, and were significant both in developing landscape art and the depiction of everyday working-class people.
Magical realism, magic realism, or marvelous realism is a style or genre of fiction and art that presents a realistic view of the world while incorporating magical elements, often blurring the lines between speculation and reality. [1]
Socialist realism is a subset of realist art which focuses on communist values and realist depiction. [44] It developed in the Soviet Union and was imposed as state policy by Joseph Stalin in 1934, [45] [46] though authors in other socialist countries and members of the communist party in non-socialist countries also partook in the movement
American realism was a movement in art, music and literature that depicted contemporary social realities and the lives and everyday activities of ordinary people. The movement began in literature in the mid-19th century, and became an important tendency in visual art in the early 20th century.
The sources of their inspiration included 19th-century art, the Italian metaphysical painters, the artists of Novecento Italiano, and Henri Rousseau. [13] The classicists are best understood by Franz Roh's term Magic Realism, though Roh originally intended "magical realism" to be synonymous with the Neue Sachlichkeit as a whole. [14]
The term has long standing in literary criticism. [4] For example, Joseph Conrad's relationship to romantic realism is analyzed in Ruth M. Stauffer's 1922 book Joseph Conrad: His Romantic Realism. Liam O'Flaherty's relationship to romantic realism is discussed in P.F. Sheeran's book The Novels of Liam O'Flaherty: A Study in Romantic Realism.