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Following the initial broadcast of Cheryl Cole's Night In, the song entered the UK Singles Chart at number 65 because of digital downloads, on the issue dated 26 December 2009. [21] The song re-entered the chart at 88 on 9 January 2010. [21] On 14 February 2010, The single made its top-40 debut by appearing at number 26.
"3 Words" is a song recorded by English singer Cheryl Cole for her 2009 debut studio album of the same name. It was released in the UK and Ireland on 20 December 2009 by Fascination Records (Polydor Records) and later in 2010 by Universal Music, serving as the lead single for 3 Words in other countries.
"Call My Name" is a song by English singer Cheryl taken from her third studio album, A Million Lights (2012). It was written and produced by Calvin Harris, with Kuk Harrell producing Cole's vocals. [1] It was released as the lead single from the album on 18 May 2012 by Polydor Records' imprint Fascination.
"Crazy Stupid Love" is a song recorded by British singer Cheryl Cole for her fourth studio album Only Human (2014), [3] featuring British hip hop artist Tinie Tempah. The song was co-written by Cole, Tempah, Wayne Wilkins, Heidi Rojas, and singer-songwriter Katelyn Tarver and Kevin Anyaeji, and produced by Wilkins.
"Promise This" is a song by English recording artist Cheryl Cole, taken from her second studio album Messy Little Raindrops (2010). It was released in the United Kingdom and Ireland as the album's lead single on 24 October 2010 by Fascination Records (Polydor Records).
"The Flood" is a song by English recording artist Cheryl Cole. The song was written by Priscilla Hamilton and Wayne Wilkins, for Cole's second studio album, Messy Little Raindrops (2010). It was released on 2 January 2011 through Fascination Records (Polydor Records), as the album's second and final single. The song, produced by Wilkins and ...
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According to Lewis Corner from Digital Spy, the song showcases Cheryl's new-found "F-You" attitude in a "spectrum of rasping electronics, jump-around beats and a massive middle-finger chorus". He considered that the lyrics were directed "at a collective of former love rats, keyboard warriors and sensationalised headlines". [15]