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The connector family was created by the Quick Lock Formula Alliance, which consists of Huber+Suhner, Radiall, Rosenberger Hochfrequenztechnik, and Amphenol. QMA [1] and QN [2] connectors are the quick lock version of SMA and N connectors. This design can save much handling time because it allows quick mating and demating without tools.
Upstart Crow is a British sitcom based on the life of William Shakespeare written by Ben Elton.The show premiered on 9 May 2016 on BBC Two [1] as part of the commemorations of the 400th anniversary of Shakespeare's death.
Return to the Forbidden Planet is a jukebox musical by Bob Carlton based on the 1956 science fiction film Forbidden Planet, which, in turn, is loosely based on Shakespeare's play The Tempest. The show features a score of 1950s and 1960s rock and roll classics and dialogue largely adapted from well-known passages from Shakespeare.
Edward the Black Prince (David Mendelsohn) in the American professional premiere of Edward III, staged by Pacific Repertory Theatre in August 2001. King Edward III is informed by the Count of Artois that he, Edward, was the true heir to the previous king of France.
Mistress Nell Quickly is a fictional character who appears in several plays by William Shakespeare. She is an inn-keeper, who runs the Boar's Head Tavern, at which Sir John Falstaff and his disreputable cronies congregate. The character appears in four plays: Henry IV, Part 1, Henry IV, Part 2, Henry V and The Merry Wives of Windsor.
The book is a thriller based in Oxford, England. [2] It references the Phoenix school, based on the Dragon School in North Oxford, which Shakespeare attended in the 1960s. [3]
Various scholars have suggested Shakespeare's possible authorship, since a number of passages appear to bear his stamp, among other sections that are remarkably uninspired. In 1996, Yale University Press became the first major publisher to produce an edition of the play under Shakespeare's name. A consensus is emerging that the play was written ...
Lanier, Douglas. “To Be-Bop or Not to Be-Bop; Minstrelsy, Jazz, Rap: Shakespeare, African American Music, and Cultural Legitimation.” Borrowers and Lenders: The Journal of Shakespeare and Appropriation Vol. 1, 2005 [no pagination]. Buhler, Stephen M. “Form and Character in Duke Ellington’s and Billy Strayhorn’s Such Sweet Thunder.”
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