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This list of the 100 Terraced Rice Fields of Japan (日本の棚田百選, Nihon no tanada hyakusen) is an initiative by the Ministry of Agriculture, Forestry and Fisheries to promote the maintenance and preservation of the terraces alongside public interest in agriculture and rural areas.
Depiction of Naoe Kanetsugu, a commander from the Sengoku period, in a rice field. Rice paddy art or tambo art (田んぼアート, tanbo āto) is an art form originating in Japan where people plant rice of various types and colors to create images in a paddy field. [1] [2]
The average rice field acreage of a Japanese farmer is very small and rice production is highly mechanized. Due to small farms, rice production is considered a part-time occupation by many farmers. The number of Japanese farm households and farm population has declined in recent decades, as has rice production.
In Japan, some of the 100 Selected Terraced Rice Fields (in Japanese: 日本の棚田百選一覧), from Iwate in the north to Kagoshima in the south, are slowly disappearing, but volunteers are helping the farmers both to maintain their traditional methods and for sightseeing purposes. [11]
The first paddy fields in Japan date to the Early Yayoi period (300 BC – 250 AD). [28] The Early Yayoi has been re-dated, [29] and based on studies of early Japanese paddy formations in Kyushu it appears that wet-field rice agriculture in Japan was directly adopted from the Lower Yangtze river basin in Eastern China. [citation needed]
Ta-no-Kami (田の神) is a kami who is believed to observe the harvest of rice plants or to bring a good harvest, by Japanese farmers. Ta in Japanese means "rice fields". Ta-no-Kami is also called Noushin (kami of agriculture) or kami of peasants.
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The terraced fields are built along the slope winding from the riverside up to the mountain top, between 600 and 800 metres (2,000 and 2,600 ft) above sea level. [1] A coiling terrace line that starts from the mountain foot up to the mountain top divides the mountain into layers of water in spring, layers of green rice shoots in summer, layers ...
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