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Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
Douglas Reynolds Gallery specializes in contemporary Northwest Coast art, working closely with Northwest Coast Indigenous artists.The gallery represents over 100 artists [4] from indigenous cultural groups, spanning from the Haida and Tlingit in northern British Columbia to the Coast Salish in the Vancouver area and northern Washington state.
Duane Pasco (May 14, 1932 - July 31, 2024) was an American artist. He was known for his indigenous-style work and as a teacher of Northwest Coast art, in particular as a key contributor to reviving the 'Ksan style.
^ Drew, Leslie and Douglas Wilson. 1980 Argillite, Art of the Haida. Hancock House, North Vancouver. ^ Getty, Ronald, M. and Knut R. Fladmark. (editors) 1973 Historical Archaeology in Northwestern North America. Archaeological Association, Calgary. ^ Gunther, Erna. 1966 Art in the Life of the Northwest Coast Indians. Portland Art Museum, Portland.
A series of large paintings by Holm introduced Northwest Native motifs in the gallery of Northwest Coast art at the 1962 Seattle World's Fair in the Century 21 Exposition. [7] His work is cataloged in the 2000 book, Sun Dogs and Eagle Down, The Indian Paintings of Bill Holm (ISBN 978-0295979472).
He studied art in the Job Corps, [6] attended art school in San Marcos, Texas and Seattle, and worked briefly as a commercial artist [1] [4] (among other places, for Seattle's Bon Marché department store [6]) before, in 1969, turning more specifically to Northwest Coast Native art [1] [4] after he was visiting the Burke Museum collection of ...
Hart was the first Northwest Coast artist to use bronze, beginning in 1982, and he has also made works in silver and gold. [3] In 1988, he supervised the construction of the Haida house in the Canadian Museum of Civilization.
Townsend-Gault’s own writing and collaborative editorial projects are recognized as foundational reading for students and scholars working in the areas of museums studies, museum anthropology, and the art history of Indigenous arts of the Northwest Coast. [7] The 2013 anthology Native Art of the Northwest Coast: A History of Changing Ideas ...
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