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Neo-Byzantine architecture was followed in the wake of the 19th-century Gothic revival, resulting in such jewels as Westminster Cathedral in London, and in Bristol from about 1850 to 1880 a related style known as Bristol Byzantine was popular for industrial buildings which combined elements of the Byzantine style with Moorish architecture.
Neo-Byzantine architecture (also referred to as Byzantine Revival) was a revival movement, most frequently seen in religious, institutional and public buildings. It incorporates elements of the Byzantine style associated with Eastern and Orthodox Christian architecture dating from the 5th through 11th centuries, notably that of Constantinople ...
The period of architecture termed Early or Paleo-Christian lasted from the first Christian Church buildings of the early 4th century until the development of a distinctly Byzantine style which emerged in the reign of Justinian I in the 6th century, foundation of Constantinople by Constantine in 330 CE.
Eastern Orthodox church architecture constitutes a distinct, recognizable family of styles among church architectures. These styles share a cluster of fundamental similarities, having been influenced by the common legacy of Byzantine architecture from the Eastern Roman Empire .
A Byzantine revival style of architecture occurred in the 19th and 20th centuries. An early example of the revival style in Russia was the Cathedral of Christ the Saviour (1839–84), which was approved by the Tsar to be a model for other churches in the empire. [253]
The Modern Serbo-Byzantine architectural style consists of three periods: the first or early period represents a combination of "western-style" with elements of Byzantine architecture. A typical example is the Church of St. George in Smederevo, where the longitudinal basis (characteristic of the West) appears five domes in the form of so-called ...
The Serbo-Byzantine style is one of the widespread traditional architectural designs of the Serbian Orthodox Church, alongside the earlier Raška architectural school and later Morava architectural school. A typical Serbo-Byzantine church has a rectangular foundation, with a major dome in the center with smaller domes around the center one.
Where brick was used in Syria, the work was in the finer Mesopotamian style rather than the more crude Byzantine style. [9] Umayyad architecture is distinguished by the extent and variety of decoration, including mosaics, wall painting, sculpture and carved reliefs with Islamic motifs. [9] The Umayyads used local workers and architects.