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John Paul Jones (born John Baldwin; 3 January 1946) [1] is an English musician and record producer who was the bassist and keyboardist for the rock band Led Zeppelin. He was a session musician and arranger when he formed the band with Jimmy Page in 1968. Jones developed a solo career after drummer John Bonham died and Led Zeppelin disbanded in ...
Paul Jones (born Paul Adrian Pond, 24 February 1942) [1] is an English singer, actor, harmonicist, radio personality and television presenter. He first came to prominence as the original lead singer and harmonicist of the rock band Manfred Mann (1962–66) with whom he had several hit records including "Do Wah Diddy Diddy" (UK #1, US #1) and "Pretty Flamingo" (UK #1).
Zooma is the 1999 debut solo album by English musician John Paul Jones, best known as the bassist and keyboardist of Led Zeppelin. The album consists of rhythmically focused instrumentals, highlighting Jones’ aggressive bass guitar and pedal steel guitar playing.
The band comprised Robert Plant (vocals), Jimmy Page (guitar), John Paul Jones (bass and keyboards) and John Bonham (drums). With a heavy, guitar-driven sound and drawing from influences including blues and folk music , Led Zeppelin are cited as a progenitor of hard rock and heavy metal .
Scream for Help is a soundtrack album by John Paul Jones, released by Atlantic Records on 22 March 1985 to accompany the film Scream for Help.Following the Death Wish II album project, guitarist Jimmy Page was asked by his Berkshire neighbour, movie director Michael Winner, to record a soundtrack for the film Scream for Help in August 1984.
Pages in category "Songs written by John Paul Jones (musician)" The following 40 pages are in this category, out of 40 total. This list may not reflect recent changes.
John Paul Jones – producer, bass (track 16) Pat McCarthy – engineer, mixer; Helios Creed – guitar (tracks 12 & 17) Heather Van Haaften – "art slave" Charts
Although Page and John Paul Jones based their guitar and bass lines on the original song, [13] they did not follow its twelve-bar blues I–IV–V–I structure, but instead used a one-chord or modal approach to create a droning sound. [1] Plant used many of the original lyrics, but with a different melodic approach. [14] He also added a ...