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The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...
Thomas Stearns Eliot OM (26 September 1888 – 4 January 1965) was a poet, essayist and playwright. [1] He was a leading figure in English-language Modernist poetry where he reinvigorated the art through his use of language, writing style, and verse structure.
"Gerontion" is one of the handful of poems that Eliot composed between the end of World War I in 1918 and his work on The Waste Land in 1921. During that time, Eliot was working at Lloyds Bank and editing The Egoist, devoting most of his literary energy to writing review articles for periodicals.
Lines 359 through 365 of T. S. Eliot's 1922 modernist poem The Waste Land were inspired by Shackleton's experience, as stated by the author in the notes included with the work. It is the reference to "the third" in this poem that has given this phenomenon its name (when it could occur to even a single person in danger).
Eliot's references to the nightingales singing by the convent in "Sweeney and the Nightingales" (1919–1920) is a direct reference to the murder of Agamemnon in the tragedy by Aeschylus—wherein the Greek dramatist directly evoked the Philomela myth. The poem describes Sweeney as a brute and that two women in the poem are conspiring against ...
The book is mostly disregarded today, though T. S. Eliot credited it as the source of the title and the largest single influence on his famous poem The Waste Land. The Wasteland is depicted in the 1981 John Boorman film Excalibur, Boorman's retelling of the Arthurian legend. [1]
The essay is significant because it represents Eliot's response to the New Critical perspective which had taken the academic study of literature by storm during Eliot's lifetime. It also presents an analysis of some of its author's own poetic works , an unusual characteristic for modern criticism—it has become far more usual today for poets ...
Finally, the story was serialised under the title A Flat in London, and the chosen book title was A Handful of Dust—taken from a line in T. S. Eliot's poem The Waste Land: "I will show you fear in a handful of dust." The line is within the section of the poem entitled "The Burial of the Dead", which depicts a comfortless, lifeless land of ...