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Funk automotivo (also known erroneously as "Brazilian phonk" worldwide) is a musical subgenre that originated from funk mandelão, which itself descended from funk carioca, a genre that emerged in the outskirts of Rio de Janeiro in the 1980s. [1] [2] It is heavily related to funk montagem (funk MTG) and funk bruxaria. [3]
Phonk (/ f ɒ ŋ k / ⓘ) is a subgenre of hip hop and trap music directly inspired by 1990s Memphis rap.The genre is characterized by its use of vintage Memphis rap vocals, chopped and screwed production techniques, and samples from early 1990s hip hop, often combined with samples from jazz and funk.
Funk carioca (Portuguese pronunciation: [ˈfɐ̃k(i) kɐɾiˈɔkɐ,-kaɾ-]), also known as favela funk, in other parts of the world as baile funk and Brazilian funk, or even simply funk, is a Brazilian hip hop-influenced music genre from Rio de Janeiro, taking influences from musical styles such as Miami bass and freestyle.
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The choice of the "100 greatest" was based on the sum of votes of 60 scholars, producers and Brazilian music journalists. Each of the voters chose 20 albums, in no order of preference, which according to Rolling Stone, should be based on criteria like "intrinsical artistic value and historical importance, that is, how much the album influenced other artists."
The Brazilian music industry opened up to international styles and this has allowed for both foreign and local genres to co-exist and identify people. Each different style relates to the people socially, politically, and economically. "Brazil is a regionally divided country with a rich cultural and musical diversity among states.
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Os Mutantes, influential Brazilian psychedelic rock band linked with the Tropicália movement of the late 1960s; Pitty (1977–), rock singer and composer; Rafael Bittencourt (1971–), Angra guitarist; Raul Seixas (1945–1989), rock singer and composer; Renato Russo (1960–1996), Legião Urbana singer and frontman