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Simulacra and Simulation (French: Simulacres et Simulation) is a 1981 philosophical treatise by the philosopher and cultural theorist Jean Baudrillard, in which he seeks to examine the relationships between reality, symbols, and society, in particular the significations and symbolism of culture and media involved in constructing an understanding of shared existence.
The authenticity of provenance of an objet d’art is the positive identification of the artist and the place and time of the artwork's origin; [7] thus, art experts determine authenticity of provenance with four tests: (i) verification of the artist's signature on the work of art; (ii) a review of the historical documentation attesting to the ...
In her 1970 book Meaning and Expression: Toward a Sociology of Art, Hanna Deinhard gives one approach: "The point of departure of the sociology of art is the question: How is it possible that works of art, which always originate as products of human activity within a particular time and society and for a particular time, society, or function -- even though they are not necessarily produced as ...
Realism is widely regarded as the beginning of the modern art movement due to the push to incorporate modern life and art together. [2] Classical idealism and Romantic emotionalism and drama were avoided equally, and often sordid or untidy elements of subjects were not smoothed over or omitted.
Crispin Wright is the most well-known advocate of pluralism about truth. In his 1992 book Truth and Objectivity, Wright argued that any predicate which satisfied certain platitudes about truth qualified as a truth predicate. In some discourses, Wright argued, the role of the truth predicate might be played by the notion of superassertibility. [1]
[28] [29] [30] Following this, some scholars use the term "post-truth situation" to refer to such "a situation in society and politics, in which the boundary between truth and untruth is erased, facts and related narratives are purposefully produced, emotions are more important than knowledge and the actors of social or political life do not ...
Martin Heidegger: Politics, Art, and Technology. New York: Holmes; Schapiro, Meyer. 1994. “The Still Life as a Personal Object - A Note on Heidegger and van Gogh”, ”Further Notes on Heidegger and van Gogh”, in: Theory and Philosophy of Art: Style, Artist, and Society, Selected papers 4, New York: George Braziller, 135-142; 143-151.
An example of this was the Hungerford Massacre, where a gunman was alleged by the tabloid press to have been influenced by the Rambo series of films starring Sylvester Stallone. In September 2001, shortly after the World Trade Center Attack, the German composer Karlheinz Stockhausen said of the atrocity that it was "Lucifer's greatest work of art."