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Rapped in Remixes: The Greatest Hits Remixed is a remix album by American hip hop trio Salt-N-Pepa. It includes remixed versions of songs taken from their three studio albums, Hot, Cool & Vicious , A Salt with a Deadly Pepa and Blacks' Magic .
Its remix, "Better Than I've Ever Been DJ Premier Remix", is produced by DJ Premier, and it features Rakim along with the aforementioned rappers. It features DJ Premier's signature scratches from prior songs such as Nas' "One Love" and "It Ain't Hard to Tell". The song was nominated for Best Rap Collaboration at the 50th Grammy Awards in 2008. [1]
J to tha L–O! The Remixes is a remix album by American singer Jennifer Lopez, released February 1, 2002 by Epic Records. It contains remixes from Lopez's first two studio albums: On the 6 (1999) and J.Lo (2001). It features artists including P. Diddy, Ja Rule, Fat Joe and Nas, and includes dance and hip hop remixes of past singles.
West Coast hip-hop remix albums (2 C) V. Vanilla Ice remix albums (1 P) Pages in category "Hip-hop remix albums" The following 7 pages are in this category, out of 7 ...
Many hip-hop remixes arose either from the need for a pop/R&B singer to add more of an urban, rap edge to one of their slower songs, or from a rapper's desire to gain more pop appeal by collaborating with an R&B singer. Remixes can boost popularity of the original versions of songs.
It was released on November 5, 2002 via Murder Inc. Records and The Island Def Jam Music Group and consists of both original songs and remixes to previously released songs released under the label. The album debuted at number 24 on the Billboard 200 and number 5 on the Top R&B/Hip-Hop Albums in the United States.
"Live and Die for Hip Hop" (Kris Kross featuring Aaliyah, Da Brat, Jermaine Dupri & Mr. Black) Produced And Written By Jermaine Dupri: 72 - 11 - "Always Be My Baby" Produced by Mariah Carey and Jermaine Dupri 1 1 - 3 Daydream "Sittin' On Top of the World" Produced By Jermaine Dupri: 30 18 2 - Anuthatantrum: 1997 "Ghetto Love" (Da Brat featuring ...
Dan Cairns of The Sunday Times has described "The Message"'s musical innovation: "Where it was inarguably innovative, was in slowing the beat right down, and opening up space in the instrumentation—the music isn't so much hip-hop as noirish, nightmarish slow-funk, stifling and claustrophobic, with electro, dub and disco also jostling for room in the genre mix—and thereby letting the lyrics ...