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Wanderer above the Sea of Fog [a] is a painting by German Romanticist artist Caspar David Friedrich made in 1818. [2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.
[61] By the 1870s, his paintings were dominated by delicate colors; and in the last two decades of his life, Aivazovsky created a series of silver-toned seascapes. [9] The distinct transition in Russian art from Romanticism to Realism in the mid-nineteenth century left Aivazovsky, who would always retain a Romantic style, open to criticism.
British marine paintings from this era can be divided into three main categories. These are: ship portraits, paintings of ships at sea, and inshore, coastal and harbour scenes. [19] Ship portraits, as mentioned above, were immensely popular before and throughout the Romantic era. Ship portraits were, as apparent by the name, focused entirely on ...
Seascape with a Sailing Boat and a Ship 1825-1830 Tate Britain, London: 46.7 x 61 A Sandy Beach 1825-1830 Tate Britain, London: 60 x 91.4 Italian Landscape with a Tower 1825-1830 Tate Britain, London: 58.4 x 76.2 Seascape with a Yacht (?) 1825-1830 Tate Britain, London: 50.2 x 66 Two Compositions: A Claudian Seaport and an Open Landscape 1825-1830
The Monk by the Sea (German: Der Mönch am Meer) is an oil painting by the German Romantic artist Caspar David Friedrich.It was painted between 1808 and 1810 in Dresden and was first shown together with the painting The Abbey in the Oakwood (Abtei im Eichwald) in the Berlin Academy exhibition of 1810.
The Raft of the Medusa (French: Le Radeau de la Méduse [lə ʁado d(ə) la medyz]) – originally titled Scène de Naufrage (Shipwreck Scene) – is an oil painting of 1818–1819 by the French Romantic painter and lithographer Théodore Géricault (1791–1824). [1]
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