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The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and
This category is for specific works that include depictions of Jesus in the visual arts. For articles covering ways of depicting scenes or types of depictions of Jesus in general, see the sub-category Category:Iconography of Jesus. For images of Jesus as an infant with his mother, see Category:Madonna and Child in art.
Offerings to these images are usually toys or candy, a tradition related to offerings made to the dead for the afterlife in pre-Hispanic times. [2] Niño Dios image dressed in Aztec costume. One of the earliest of the Niño Dios images in Mexico is the Niño Cautivo which is in the Metropolitan Cathedral. It was sculpted in the 16th century by ...
Nativity of Jesus in art; Adoration of the Magi (Three Kings), sometimes combined with the Adoration of the Shepherds; Circumcision of Christ; Presentation of Jesus; Flight to Egypt, or the Massacre of the Innocents. Later sometimes the Rest on the Flight into Egypt. Finding in the Temple, the last episode of Jesus's childhood in the Canonical ...
The Nativity or birth of Jesus Christ is found in the biblical gospels of Matthew and Luke.The two accounts agree that Jesus was born in Bethlehem, in Roman-controlled Palestine, that his mother, Mary, was engaged to a man named Joseph, who was descended from King David and was not his biological father, and that his birth was caused by divine intervention.
On the morning of the vísperas ("eve", i.e., the day before) held the Saturday of January, the images of Santo Niño de Cebu and Nuestra Señora de Guadalupe de Cebú are returned to Cebu City in a fluvial procession that ends with a reenactment of the first Mass, wedding and baptism in the nation, held at the Pilgrim Center.
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[n 1] It depicts Saint Anne, her daughter the Virgin Mary and the infant Jesus. [1] Christ is shown grappling with a sacrificial lamb symbolizing his Passion as the Virgin tries to restrain him. The painting was commissioned as the high altarpiece for the Church of Santissima Annunziata in Florence and its theme had long preoccupied Leonardo.