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Three pieces for bassoon and piano, Op. 18 (1899–1907) Sonata for bassoon and piano, Op.71 (1918) Silhouettes de comédie, 12 pieces for bassoon and orchestra, Op. 193 (1942–1943) György Kurtág: Játékok és üzenetek for solo bassoon (1986–2001) Mary Jane Leach: Feu de Joie for solo bassoon and six taped bassoons (1992)
It is the most frequently performed work in the solo bassoon repertoire. [1] Osborne recorded the rhapsody in collaboration with Sol Schoenbach for a 1952 radio program of contemporary American music run by WNYC in New York. The piece's working title was "Study for Bassoon", but Osborne intended to make it playable on clarinet as well.
In music, an instrumental solo piece (from the Italian: solo, meaning alone) is a composition, like an étude, solo sonata, partita, solo suite or impromptus, or an arrangement, written to be played by a single performer. [1] The performer is called a soloist. The instrumental solo pieces can be monophonic or polyphonic.
Prélude et divertissement for bassoon and piano (1960) Nocturne-danse for bassoon (or alto saxophone) and piano (1967) 12 Caprices for bassoon solo (1968) Pièces brèves for bassoon solo (1968) 11 Études sur des modes karnatiques (11 Studies in Karnatic Modes) for bassoon (1972) Shiva for bassoon and piano (1974) Cadenza for bassoon and piano
The contrabassoon is a very deep-sounding woodwind instrument that plays in the same sub-bass register as the tuba, double bass, or contrabass clarinet.It has a sounding range beginning at B ♭ 0 (or A 0, on some instruments) and extending up over three octaves to D 4, though the highest fourth is rarely scored for.
Similar to other woodwind instruments, the length of the bassoon can be increased to lower pitch or decreased to raise pitch. On the bassoon, this is done preferably by changing the bocal to one of a different length, (lengths are denoted by a number on the bocal, usually starting at 0 for the shortest length, and 3 for the longest, but there ...
Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for its ability to blend well with the soprano, alto, and baritone saxophones, with its "husky" yet "bright" tone. The tenor sax has ...
The bass saxophone is not a commonly used instrument, but it is heard on some 1920s jazz recordings, in free jazz, in saxophone choirs and sextets, and occasionally in concert bands and rock music. Music for bass saxophone is written in treble clef, just as for the other saxophones, with the pitches sounding two octaves and a major second lower ...
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