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A viola concerto is a concerto contrasting a viola with another body of musical instruments such as an orchestra or chamber music ensemble. Throughout music history, especially during the Baroque , Classical , and Romantic eras, viola was viewed mostly as an ensemble instrument.
Suite Hébraïque for viola and piano or orchestra (1951) Johannes Brahms (1833–1897) Sonata No. 1 in F minor for viola and piano, Op. 120 No. 1 (1894) Sonata No. 2 in E-flat major for viola and piano, Op. 120 No. 2 (1894) Two Songs for voice, viola and piano, Op. 91 (1884) Max Bruch (1838–1920) Concerto for Clarinet, Viola, and Orchestra ...
D Jean Daetwyler (1907–1994) Concerto for viola and orchestra (1979) Jörgen Dafgård (b. 1964) For the Sleeping: Dream Sonata for viola and tape (1997–1998) Frames and Flow, 6 Duets for violin, viola and cello (1988–2000); Nos. 1 and 3 for viola and cello; Nos. 2 and 5 for violin and viola; STIM; Swedish Music Information Centre Roland Dahinden (b. 1962) broken lines for viola and ...
The Viola Concerto by William Walton was written in 1929 and first performed at the Queen's Hall, London on 3 October of that year by Paul Hindemith as soloist and the composer conducting. It had been written with the violist Lionel Tertis in mind, and he took the work up after initially rejecting it.
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Ba Be Bi Bj Bl Bo Br Bu By B Ba Vahram Babayan (born 1948) Sonata for viola and piano, Op. 88 (1985) Sonata for viola solo, Op. 127 (2000) Milton Babbitt (1916–2011) Composition for viola and piano (1950); Associated Music Publishers Inc. Mehr “Du” for soprano, viola and piano (1991); C. F. Peters Play It Again, Sam for viola solo (1989); C. F. Peters Soli e Duettini for violin and viola ...
Concerto for viola and orchestra (2003); Hans Sikorski; G. Schirmer Vocal Cycle by Japanese Poets for voice, viola and piano (1985); Israeli Music Center But in Vain for flute, viola and harp, Op. 44 (1997); Hans Sikorski Fantasy for viola solo, Op. 16 (1988) Kasida on Mourning for viola, piano and celesta, Op. 4 (1982)
The Viola Concerto No. 1, Op. 7, was composed by Airat Ichmouratov in 2004. It was commissioned and premiered by Elvira Misbakhova , a Canadian violist, today the principal viola of Orchestre Métropolitain , [ 1 ] who was in 2004 a student at University of Montreal and was looking for new romantic viola concerto for her Doctoral program recital.